Circle 12.10

This evening we checked-in as usual, and then discussed the insidiousness of resistance, how it creeps into our lives, and also some brought up portions of the book that particularly struck them as useful for them at the time: for instance, some feel the tug of the call of love and duty to family, others mentioned the trouble of having so many ideas, and I particularly loved the sections discussing heirarchies vs. territories, how the artist need not compete so much as contribute to his or her "artistic bank account" from which no one can initiate withdrawals.

Pressfield thinks the professional artist rightly sees his art as a "territory" that he/she visits and in which he operates alone and exerts full control over his growth and progress and in which there is no possibility of sabotage, if the artist just does the work--the question of recognition being a separate issue and not one that deserves concern, since it is usually not something one has any control over and has little to do with the art itself.

In the exercise portion we worked in pairs, one member adopting the voice of Resistance specific to the individual in the pair, and the other talking back from the perspective of the creative soul on its path. Each person had his or her own experience of what that conversation signified, and overall there appeared to be a common theme that we tend to deprioritize our art at times.